1. Don't Look Now and Roeg's red coat | Movies - The Guardian
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Anyone who has seen Nicolas Roeg's 1973 film Don't Look Now will remember that little red coat. Peter Bradshaw on the pity and terror it still evokes
2. Nicolas Roeg: 7 great moments - BFI
Nov 27, 2018 · In this sense, Roeg is to red coats what Hitchcock was to showers and Spielberg to the ocean. The child-sized, bright red anorak that the ...
Nicolas Roeg, who died last week, made films that - through his use of chronology-jumbling cuts - defied clip culture. Yet there are still moments in his work that act as calling cards to his great skill. Here are seven scenes that amaze us to this day.
3. 745 Don't Look Now - Page 3 - criterionforum.org
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4. The Six Nicolas Roeg Masterpieces to See Now - The Ringer
Nov 26, 2018 · How Nicolas Roeg Broke Movies—and Rebuilt Them in His Own Image. At their best, the director's masterpieces like 'Walkabout' and 'Don't Look Now ...
At their best, the director’s films like ‘Walkabout’ and ‘Don’t Look Now’ added up not to a complete picture but a kind of Rorschach test
5. Nicolas Roeg's Don't Look Now Is a Masterwork of Psychological Horror
Nov 26, 2018 · A kind of subdued nightmare that's mostly remembered for its extremely explicit sex scene between its curly-haired stars Julie Christie and ...
The late director's best-known film deserves its spot in the horror movie canon.
6. Don't Look Now (1973): A Bloody Silly Way to Die
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'Don’t Look Now' is a story about vision. The things we see, the things we don’t, the things we see without using our eyes.
7. "Once I had it all. Now I just have everything": Nicolas Roeg ... - MUBI
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A look back on the career of the great director of "Performance" and "The Man Who Fell to Earth."
8. Nicolas Roeg - The Swinging Sixties
Nicolas Roeg (1928-2018), often known as Nic, was a British ... You see, I must have a red-head!” “What on earth do you mean?” “I'm shooting ...
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9. Don't Look Now | Rotten Tomatoes
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Still grieving over the accidental death of their daughter, Christine (Sharon Williams), John (Donald Sutherland) and Laura Baxter (Julie Christie) head to Venice, Italy, where John's been commissioned to restore a church. There Laura meets two sisters (Hilary Mason, Clelia Matania) who claim to be in touch with the spirit of the Baxters' daughter. Laura takes them seriously, but John scoffs until he himself catches a glimpse of what looks like Christine running through the streets of Venice.
